Amy Reads the Backlog

Spring Break has finally (!) arrived, Gentle Reader, and We Reads find ourselves on the brink of a lovely visit to Nearby Town for some much-needed Away Time. This time will, of course, be defined by reading and writing of the personal variety, and not of the academic variety. No papers shall be graded, no classes shall be prepped, and while This Humble Author finds herself Quite Lucky to teach Fantastical and Wonderful Courses that allow her to begin class with phrases like, "Now, how is Wonder Woman written to fulfill gender stereotypes here, and how is Batman not?" or, "So the name of today's game is zombie contagion. Discuss," One does need a break even from the things one loves, no?

But that means that I have time, yes, finally have time to begin tackling the Extreme Backlog of Comics. Last night found me finishing Secret Invasion, and catching up on Wonder Woman and Secret Six both. As This Humble Author still needs to pack for said trip tomorrow, the reviews will be brief in the extreme. Rather, I will leave you with small imprints, impressions, if you will, Friends, with a promise of a more in-depth review of Wonder Woman later.

Brian Michael Bendis's Secret Invasion #1-8
What I liked:
1) I feel sorry for Tony Stark for the first time since Civil War, Friends, and that is a Very Odd Feeling Indeed.
2) To quote the ever-quotable Kitty Pryde (and in this instance, the ever-quotable Joss Whedon): "Yeahbutwha?" Norman Osborne?? Really??? How Utterly Fascinating!
3) The fact that the writers recognize Spider-Man's insecurity insomuch that he will meet himself, and mock himself. Again and again.
4) Secret Invasion has made me interested in Mar-vell, a character I have never found myself very interested in.
5) Jessica Jones.
That is, any time Jessica Jones Saves The Day, I will smile.

What I didn't:
1) Friends, this defines, truly, my privileging of DC over Marvel: the treatment of Wasp feels overwhelming, more so than the treatment of major female characters in DC. Not only is she tossed aside like so much garbage, she is beaten down, figuratively rather than literally this time, by her husband once again.
2) The entire run seemed to end in an overall theme of "hell hath no fury." This failed utterly in X-Men III, and I found it Rather Grating here, as well.
3) I would have liked to see the comic do more with Wolverine. He felt--dare I say it?--extraneous, which he never usually does.
4) Sue Storm felt even more extraneous, when she is, clearly, the strongest member of the Fantastic 4. I adore Sue Storm as much as I dislike Reed Richards, and she once again seemed to be discounted.
5) Why would anyone use Kate Bishop, Gentle Reader, and then forget she is around? Is there a more interesting or engaging Young Avenger?

Gail Simone's Wonder Woman #28-29
What I liked:
Friends, I almost cried when I saw the trinity of Wonder Women--Diana, Donna, and Cassie--all armored in their matching individuality. It is a beautiful scene, and one definitely marking the signature of Ms. Simone's style. No one, no one writes the team-up better than Ms. Simone.

The constant revelations, and the constant fact that they were overwhelmingly unexpected. From the surprise appearance of Steve Trevor, to the big reveal of Dr. Psycho, and the bigger reveal of Cheetah, it is No Accident that #29 ends with the complete shattering of Zeus's last dredges of sanity.

What I didn't:
I want more from Tom Tresser. Ms. Simone has made me like, no, *care* for this character despite my previous protestations. I would like to see him do more on-screen.

The loss of a Great God feels like the loss of a Dear Friend.

The pacing feels off a bit, almost rushed. It feels like these events are too big for the normal 22 pages. Or perhaps it feels as if the origins storyline at the end rushes the entire comic?

What I wonder:
Is that a pregnant Amazon at the end??

Gail Simone's Secret Six #2-7
What I liked:
1) The Last Victim. I believe all comics would benefit greatly from arrogant immortal banshee aristocrats, truly.
2) Deadshot, Deadshot, Deadshot.
3) Scandal's final scene.
4) The entirety of Bane. The. Entirety. Of. Bane.

What I didn't (short answer):
Nothing, except that Junior has caused nightmares (!!!), Gentle Reader.

What I didn't (long answer):
Nothing.

That is to say, my adoration of Mr. Rucka's and Ms. Simone's runs on Wonder Woman is no secret to This Humble Blog. I cannot imagine it is a secret from anyone, especially you, Most Constant of Readers. But as well as Greg Rucka writes the Outlaw, Gail Simone writes the Team. And I must admit, as much as I love Gail Simone on Wonder Woman, I *adore* her on Secret Six.

It fulfills the promise of Birds of Prey, the dysfunctional little family that tries to pretend it is, in fact, *not* a family. That it is just a random group of people thrown together by common interest. Co-workers, yes?

No.

It fulfills the promise of Gen-13, the dysfunctional little family that tries to pretend it is just a random group of people thrown together by age and background. Teenagers, yes?

No.

It fulfills the promise of Welcome to Tranquility, the dysfunctional larger family that tries to pretend it is just a random group of people thrown together by location and need. Neighbors, yes?

No.

The Team *is* the Family.

Here is the True Secret of this book, Gentle Reader: Gail Simone seems to experience nothing but Joy when writing this book, and that shines through in every conversation, every page.

Ciao!
This began as a simple "brief review" and turned into Something Monstrous, as anything I attempt to be "brief" eventually does. Ah well. I believe this is what reading comics after many months does to one, no?

And with this, I am off, Friends, to enjoy the rest of Spring Break. See you when the work week begins again.

"Now Go. Unleash Hell": A Brief Review of Wonder Woman (DVD)

I have two reactions to this movie, Gentle Reader.

The first is a rather lengthy, near-academic discussion of the Absolute Smartness and Complete Joy of this video. It involves some Awfully Big Words, and perhaps A Few Comparisons to literary texts. It is Smart and at times, somewhat High Victorian, but still, a smart and engaged review.

The other goes, I believe, something like this:

"Omigod omigod omigod SQUEEEEEEEEEEEEE!!!!!!!!!!!!!!"

At least, Mr. Reads informs me that is precisely what I said throughout the watching of this movie.

It is a Smart Movie, Friends, and Even Smarter than any of the other recent DC videos--Doomsday, New Frontier--that have graced our markets. Never let it be said that I do not enjoy those movies. I do, Friends. I do. But this movie depicts Diana in such a joyous way, in a way that Completely Understands the Amazon Princess, in a way that does not rely on Cheap Jokes or Unhappy Gendered Divisions, that I feel that this movie, unlike the other big-name titles, gets its main character completely.

It begins with bloodshed and war. Amazons and Gods fighting for supremacy. The Amazons win, in the end, by defeating Ares, and by losing so many of their sisters. And it continues with a Child Made Of Clay, of a Sister Longing for Love, of Another Sister Longing for War. It continues with Familiarity: with Steve Trevor, with a contest to see who will be the Amazonian Champion to escort Steve Trevor back to Man's World. But not just any Champion, and not just any warrior. A warrior that fights well, but a warrior who fights dirty. And when she no longer has a sword, she uses her fists. In the end, she is declared Champion, and when her Sisters are betrayed by one of their own, Diana becomes Earth's Champion, as well, against the dark forces of Ares's Army.

It begins in familiar places, Gentle Reader. And then, it becomes something uncanny.

Familiar yet unfamiliar, but not horrifying as Dr. Freud would have us believe. Rather, upon first arriving in Man's World, Diana spies a small girlchild crying, because the boys will not let her play. As the girl, they say, she must wait on the sidelines to be rescued.

Princess Diana scoffs, not only at such faulty logic, but at the improper and utterly preposterous way the young men hold their swords, and engage in their swordplay. After teaching the girlchild the proper way to fight, the thrust stroke that will kill, she looks at the girl fondly and tells her, "Now go. Unleash hell."

This is when this movie becomes Utterly Extraordinary.

Diana looks upon Man's World and finds it wanting, both in its approach to gendered divisions and in its presentation of violence and greed and bloodshed. She gives her opinions of these things, Gentle Reader, not only by speaking out against them, but also by using the stereotypical "trappings" of femininity, a purple dress, a high heel, to defeat her male enemy.

On the one hand, yes. Diana rails against the inequality on Man's World by destroying the feminine trappings that would bind her sisters. But for This Humble Scholar, who focuses much of her work on the Engagement With and Manipulation of those very trappings by nineteenth-century women, I say that Diana demonstrates the power hidden within these garments and accoutrements. What is a dress if not a sling, if not a catapult? What is a high heel if not a weapon to be wielded?

Steve is irreverent of and awed by Diana intermittently, and even ventures to call her a "crazy Amazonian dragon lady." The running joke of the definition of--forgive This Humble Author for the inappropriate language she is about to scribe--"crap" throughout the film offers cleverness among the earnestness. And Steve's righteousness, not only in the rescue of Wonder Woman over the rescue of the world, but in his patriotic anger over the desecration of the Lincoln Memorial ("they're messing with Lincoln!" he says. "Nobody messes with Lincoln!") update us to current concerns, as well.

In the end, of course, the threat of Ares's army is neutralized by what the American government believes to be "a group of armored supermodels." And Diana becomes the Warrior for Peace, with her Mother's blessing. Provided she visits home often, of course.

We often forget, Gentle Reader, that Wonder Woman is, first and foremost, a bruiser. She is not a plotter and schemer like Batman, or a boy scout like Superman. She is a Warrior, and she prefers to fight with her fists. And when she is knocked down, she will get up, again and again, not because she does not know fear. Of course she knows fear. Only the mad do not know fear. Rather, as a warrior, she knows Fear, understands it, feels it as far down as she can, and still, she meets it halfway.

That is the very definition of a hero, after all.

Amy Reads the Week (of March 1, 2009)

A shy little peeking out and a brief return from a Rather Long Hiatus From Blogging, Gentle Reader. I confess that life still continues to get the best of This Humble Author, and the only comic (yes, just the one!) I have been able to read this week is, of course, Wonder Woman, from two issues ago.

Diana's lasso is gone, and my heart breaks for the Amazon Princess. But more importantly, my heart breaks watching the heartbreak of her Amazonian Sisters. Donna's and Cassie's reaction, as sisters, as warriors, as those Next In Line to take up the mantle of the Amazon Princess is a scene that We Gentle Readers would not have seen from Mr. Heinberg, or Ms. Picoult, or even Mr. Rucka. They all focused on different aspects of Wonder Woman, and we would have seen, perhaps, The Wonder, The Humanity, or The Alienness, respectively, from these three writers. But with Ms. Gail Simone, instead, we see bonding, and sisterhood, and steel resolve. We see an Amazonian bond that cannot be broken.

I long to become caught up in comics.

In television popular culture news, I adore, yes, adore, Mr. Whedon's new show, Dollhouse. While the first episode was Rather Shaky, I find that the Whedonesque moments here and there--the head shake at the very end of last week's episode, the Most Dangerous Game-ness of the week before--all offer We Whedon Fans an interesting departure from Buffy, and Firefly, at the same time it offers us the things we love about Mr. Whedon.

More soon, Gentle Reader, but for now, a homemade sugar-free apple cobbler and Flight of the Conchords await this Very Tired, Very Overworked (yet still Humble!) Author, and then, if one can imagine, 10 more papers to grade before bed. Until next time, I bid you adieu.

Amy Reads the New Year; Or, Resolutions of the Comic Book Variety

Greetings, Gentle Reader, from the auspicious year of Aught-Nine. I have Declared This Year to be a Year of Many Things, including This Humble Author's foray into the Making of Great Soup.

Yes, Friends, that is right: Aught-Nine will be The Year of the Soup.

Also, I wish Aught-Nine to be The Year of Reading Comics with Alarming Regularity Once Again, as I have difficulties relaxing--no surprise to you, O Constant of Readers!--and doing things just for me. Comics are so often Just For Me that I feel somewhat guilty enjoying them in lieu of the stacks upon stacks upon stacks of work to be done.

With that in mind, I have decided that I must resume my blogging, and most particularly, resume my weekly reviewing. The truth is, Friends, that I *miss* blogging, and the blogging community, and in particular, the comics blogging community, especially those of a feminist persuasion.

I recently returned from San Francisco, and had the Great Pleasure of visiting the Cartoon Art Museum, which was Quite Lovely, if I do say so myself, although due to time constraints our visit was limited to the Delight of Delights, the attached store. I purchased work by some local artists for The Reads Household--a standard purchase for We Reads whenever we enter a new city--and a lovely Wonder Woman pin to wear on my lapel, with pride (and wonder!).

Before that, We Reads spent a few days in the deeps of the Southwest, and I read all of Grant Morrison's run on Seven Soldiers, which is Quite Amazing, and caught up on Gail Simone's Wonder Woman and Secret Six, both of which are Quite Amazing Indeed. To the Local today, as well, to pick up any backlog, and to resume comics review blogging this weekend are Worthy Goals, methinks, for this first weekend of the New Year.

Happy New Year, Gentle Reader!

"Babies, Babies, Babies"; or, Amy Reads as a Fan

Not as an academic, Gentle Reader, or as a Reviewer. Not tonight. Not now. Tonight, I am a bit morose. Not suffering under any Romantic pretense of ennui, no, nothing so intellectual. Just a general sense of The Grumpies. So tonight, rather than reading in preparation of class, or working on various Bits and Sundries of Those Things More Important Than Comics, I instead Read Comics.

And I Read Comics as A Fan.

As Constant Readers of Arrogant Self-Reliance are aware, there is nothing of which I am a Fan more than The Wonder Woman.

Wonder Woman #24 is *fun*, and *serious*, and *witty*. This is the complexity of Wonder Woman, surrounded by the complexities of Her Past. Beginning at Home, with a mother who decrees that Tom and Diana give her "Babies, Babies, Babies," we move from demands that Tom Tresser is "Not Food," to the gorilla guards' demands to "hear more about this fresh fruit portion of the negotiations." That is to say, I laughed out loud, and there is nothing I love more than laughing at good dialogue.

(Especially while suffering under my current general malaise.)

But here is The Thing, Gentle Reader. We get two panels of Wonder Woman, hugging a woman in need. And at a moment when This Humble Author is feeling--dare I say it?--rather fragile and In All Honesty in need of a hug, I felt myself thinking, "Wonder Woman hugs well."

She does, Friends, with whole heart and emotion, with no expectation and no sense of pulling away. The focus in on her face, with its eyes closed, its expression consoling and gentle, and you remember this is a Woman who is a Sister, used to hugging. This is the Diana responding to the birthday party from several issues ago. This is the Diana lamenting over the lack of hugs in her new life, her new workplace.

This is Diana, longing for her Sister Amazons.

Wonder Woman #24 deserves a Smart Review. A Longer Review, at least, something more In Depth, examining its place within The Mythos, the Larger Arc, and Simone's Larger Run. But rather, this evening, I would like to say simply, I liked it, very much.

Very Much Indeed.

Amy Reads the Week (of August 24th, 2008)

Happy Fall Semester, Gentle Reader! If you are Academically Inclined, chances are you begin courses tomorrow. As We Reads are of such, we are Bright-Eyed and Bushy-Tailed for the new semester. Nothing but wonderful words to share with the Nation's Youth as We Reads try to impart a love of learning, reading, and writing to our students.

But, and this is more important, Friends, Our Dear Friend Mister Fanboy was Quite Generous with his SDCC (San Diego Comic Con for the non-comics-inclined) haul and This Humble Author received the Glory of Glories, a copy of Adam Hughes's Gorgeous Women of DC Poster signed by This Humble Author's Favorite Comics Writer, the fantastic and fabulous Gail Simone, signed right next to the center image of the fantastic and fabulous Wonder Woman (whose comic is currently being penned by Ms. Simone, to the delight of This Humble Author, indeed!). Along with other delights (Dark Horse preview! Flash ring! Sandman poster!), the package proved to be the highlight of This Humble Author's week. Thank you, Mister Fanboy, for thinking of those of us Too Far Away to revel properly in the Wonder that is Comic Con! Mister Reads and I are to the Hobby Lobby this week for a lovely frame for my lovely poster.

Losing Her Religion: A Brief Review of Wonder Woman #21

There are three people in this world, Gentle Reader, who were instrumental in returning This Humble Author to the superheroic comic genre. Each of these three people is immensely talented at what he or she does, and therefore each has a particular talent that was presented to me, some five or six years back, when I found myself Rediscovering My Youth. Or, that is to say, when I found myself longing once more to watch a fight for my rights in satin tights (and that good ole red, white, and blue). While the Amazon Princess always has been Dear to My Heart, at the time I had not read her, in some while.

The first (and foremost) of these individuals is, of course, Mr. Reads, back when he was merely Boyfriend Reads. What Mr. Reads does, and does Rather Well, is Read. As a poet, as a writer, himself, Mr. Reads has an uncanny knack for Knowing What Is Good. Beneficially for This Humble Author, he also has an uncanny knack for knowing exactly what it is that This Humble Author will enjoy. This of course leads me directly to persons numbered 2 and 3.

Greg Rucka is individual numbered 2, and my rediscovery of superhero comics directly coincided with my introduction to Greg Rucka’s run on Wonder Woman. What Mr. Rucka does, and does Rather Well, is present the Other. He gives us a character who *should* be Just Like Us and instead shows us a character who is so utterly different from the world that we cannot help but sympathize with her, enjoy her strength and development, become angry with her when she fails, but only because she is So Very Angry with herself. Princess Diana, Tara Chace, Renee Montoya, all of these women were written with an eye towards what makes them different. It is no surprise, then, that these women are Warriors, All. Because what is more alien to our society than the Warrior, and the Woman Warrior, at that?

And, no surprise to you, Gentle Reader, Ms. Gail Simone is individual numbered 3. I remember when Mr. Reads first handed me Rose and Thorn, and Birds of Prey, and, most importantly, introduced me to the concept of Women in Refrigerators. As a feminist, an academic, and just generally, a Person Interested In Popular Culture, I found the very idea of Ms. Simone to be Utterly Fascinating. A fan becoming a writer, a critic becoming a voice. But while that is all Well And Good, it was Ms. Simone’s writing that truly won me over. And when I discovered that two of my enjoyments of comics were to coincide—Gail Simone was to write Wonder Woman—I knew that things would be rather interesting indeed.

Friends, I adored Greg Rucka’s run on Wonder Woman. I think he presented us with the difference of Diana. As a Princess from an isolated island, as a Warrior Ambassador for Peace, Diana is a dichotomy, and Mr. Rucka gave us those odd, isolated moments. The graphic novel The Hiketeia, for example, shows better than any other tale before or since the utter alienation of this character.

Mr. Rucka showed us the alienation; Ms. Simone shows us the internalization.

Diana is changing, to meet the world, to become someone new, but that change is not what Ms. Simone focuses on. Rather, it is Diana’s reactions to those changes we see stressed, so completely, in the recent issues of Wonder Woman. When battling on the edge of insanity, Wonder Woman finds herself losing: her strength, and understanding, and, most important to this Warrior for Peace, she tells us she is losing “My compassion. My mercy. My love.” These are the defining characteristics of Princess Diana, and to lose these things, she notes, would be “the wound that finally slays what I truly am.”

That wound, Gentle Reader, seems to threaten her very Soul.

It was Batman, was it not, who had a plan to defeat all super-powered heroes in case of emergency? And was it not his plan to let Wonder Woman defeat herself? Locked in a room, no weapons, no doors, just her willpower and her determination, Wonder Woman would fight until her heart gave out. There is often talk of the willpower of the Green Lanterns, but I point instead to the Amazon Princess. She will never back down, she will never surrender, and Ms. Simone demonstrates the toll that will have on Diana. Her gods will not answer her, so she sought another.

There are consequences, of course. Deep, earth-shattering consequences. The Lasso begins to reject her. She begins to doubt herself. There is constant questioning and repositioning here, on the edge of sanity, but most importantly there is development, growth, change, and Becoming. For good or for bad, the Amazon Princess changes, and We, the Constant Readers, are fortunate enough to watch it unfold, to cheer for her triumphs and to mourn her failures. In short, we are there, are we not? Because she is brought forward, as human as is possible for a Woman of Wonder, Made of Clay, Born of the Gods.

Mainly, for This Humble Author, that change also comes in the form of Costume: the Amazon Princess’s armor changes throughout the issue, and it is beautiful, Friends, just beautiful. But also, too, that change comes in writing. Mr. Rucka wrote the distant future-queen, the Ambassador come to fight for Peace. Ms. Simone, instead, writes the Wonder Woman of our past and of our future. This is the Wonder Woman for My Generation, Friends, not only the character but also the imprint. When I read Tresser singing to himself “Lolly lolly lolly get your strange bedfellows here,” I laughed out loud. I could not help it. Where Mr. Rucka rooted the imprint firmly in the realm of the Other, Ms. Simone bridges it between past and present. I, as a Reader and a Constant Fan, could never imagine Wonder Woman without her gods. That is, of course, until Ms. Simone gave her new ones.

For the first time since The Crisis, I feel as if Wonder Woman is standing on solid ground. I have greatly enjoyed Ms. Simone’s run thus far, but the past few issues, in particular, have given us a quietness, a solidity that along with the Team-Up is the true marker of Gail Simone’s writing. There is a quiet dignity to this story, to the presentation of Wonder Woman, and her alignment with Other Heroes, the constant questioning and requestioning of herself, all presents a picture of an Amazon Princess on the edge of sanity, on the edge of the future, on the edge, Gentle Reader, of change. She is losing her understanding of herself, she is losing her gods and her religion, but she is, perhaps, finding her humanity, too.

And it is her humanity, is it not, that we are most interested in? As I have argued before, She is both Same and Other, both Human and Amazon, and Ms. Simone brings that to the forefront.

I have had the great pleasure and privilege to reread all 12 issues of Welcome to Tranquility in the last week, and coupled with my recent reading of Secret Six and Villains United, I can say without a doubt that bringing forward the humanity of otherwise inhuman characters is Ms. Simone’s forte. And who is more inhuman than the Woman born not of woman but of the very Earth itself? Not even the alien from Krypton can claim such a difference, particularly as it is Clark Kent who is the real person rather than the mask. In these recent issues, Ms. Simone offers a new glimpse into the humanity of the Amazon and this does not rely on her employment (as evidenced when Etta Candy begs her not to return to the Taco Whiz in issue #20) or her romantic life. Rather, it is solely rooted in Diana’s internal questioning, in her quest to understand herself and how she is changing in the face of her actions, of the world, and of the loss of her traditions, her gods, her beliefs, and her mother.

Or, as Diana asks with a question laden with a myriad of implications and possibilities, “What is it that I am becoming?”

Reviews in Brief: The Middle Man and Secret Six

Villains United/Secret Six
The backlog continues, Gentle Reader, and I know that many of you will be Shocked, absolutely Shocked when you discover that This Humble Author has never read Villains United or The Secret Six. For those Readers of This Humble Blog who are, perhaps, less Constant than others, the shock would be based on This Simple Fact: I adore Ms. Simone's writing. I have read most of her work, I blog about it, I even am teaching her comics (it is true, Friends!), but while I was Familiar with the Secret Six, thanks to Birds of Prey, I had never delved that deep into my backlog of comics, until now.

I have said it before, and I will say it again: Gail Simone is a master of the team up. No one, no one takes disparate characters and makes them work quite like Ms. Simone. Welcome to Tranquility, Birds of Prey, Gen-13, Secret Six, Ms. Simone is able to bring a rather diverse and, in the Secret Six's case, rather dysfunctional group of individuals together and make them a *team*. Catman, Ragdoll, Scandal, Knockout (This Humble Author's Humble Favorite), Mad Hatter, and Deadshot should not work together, but they do. In fact, even when they do not work together, they work together just perfectly.

The relationship between Knockout and Scandal was a familiar one to me, thanks to Birds of Prey. As an Adorer of All Things Amazon, I am fascinated by all things Resembling Amazons; thus, the Furies are particularly fascinating to me. Barda, of course, is a longtime favorite of mine, and Knockout is rapidly becoming another favorite Fury, and another favorite female hero/anti-hero. But the relationship between Knockout and the daughter of Vandal Savage works well on numerous levels, the most basic one on the level of friendship and trust. Written as a fascinating antithesis to the anti-relationship of Cheshire and Catman, the relationship between Knockout and Scandal works because they work well together. The same as the relationship between Catman and Deadshot: two people who should never be friends become friends, and the world seems right.

Dr. Psycho is still the scariest of All Scary Villains for This Humble Author, along with the Joker, but the Mad Hatter is discomforting, as well. It is a testament to Gail Simone's writing that we sympathize with the Mad Hatter, a character who is By All Rights unnerving. But so, too, do we sympathize with Ragdoll, with Deadshot, with all of these anti-heroes/anti-villains who exist in the liminal state between good and evil, between right and wrong. In that gray area, always, is the strength of the team.

Like Grant Morrison's run on X-Men, this mini-series by Gail Simone makes me regret any time I have spent *not* reading it. But now that the Dissertation is A Thing Of The Past, I can return to things like a Very Large Stack of Comics Backlog. Next on the list: getting caught up on Daredevil.

The Middle Man
Gentle Reader, I wanted to hate this pilot, so completely. I do not trust ABC Family for Good Programming. That is to say, I trust them for "good programming," but not for, say, Programming of a Good Quality. But this show is self-aware, smart, funny, absurd, and just pure joy. If you have not seen it yet, do catch one of the encore viewings. I promise you, you Will Not Be Disappointed.

A Postal Surprise for Dr. Amy Reads

Gentle Reader, imagine my joy and surprise when, upon checking our Postal Mail today, I received a package from the brilliant Rachel Edidin to celebrate my recent dissertation defense. Inside it, Friends?

A signed copy of Gail Simone's Wonder Woman #18, addressed to "Amy Reads."

What delight! What joy! Or, as Mr. Reads commented, "I find it hilarious that you cry over a signed comic book, and not, you know, over successfully completing the actual defense."

We Reads have our priorities, no?

This is a very public thank you to the generosity of My Dear Friend, Rachel. Thank you, Friend, for such a delightful and office-rific gift! By office-rific, I mean, of course, that This Comic Book will be framed and hung, with great love and pride, in the office of Said Dr. Reads.

Thank you, Friend! And thanks to all of you, Most Gentle of Readers, for your congratulations and well wishes. I am basking in the glory, no? I do not think I will ever tire of hearing "Dr. Reads," either.

Amy Reads the Week (Early! on May 3rd, 2008)

And that, Gentle Reader, is how you make a Superhero Movie.

That is, I turned in the draft of my introduction yesterday, and took a (very!) brief break from revision to celebrate the completion of the entirety of my dissertation--in bad draft or no--by going with Mr. Reads to pick up our free comics, and to go see Iron Man.

Friends, what can I say about the movie experience? I adored it. Absolutely, utterly, and completely. But I can only say so much before I just need to tell you all to Go See It For Yourselves. Instead, I offer you this anecdote:

About halfway through the movie, right when The Suit shows up for the first time, I glanced around the theater. Over half the people were smiling. Just smiling, at the screen, for no particular reason. Nothing overtly funny had happened, no quips, no jokes, no crashes. Just big grins for a fun and lovely movie.

When I glanced at Mr. Reads, I saw that he was smiling, too.

Then I realized that *I* was smiling, as well, and there we were, the all of us in a theater, near-packed, smiling with utter joy over the Iron Man movie.

Last week, Gentle Reader, of visions and revisions before the taking of toast and tea (gratitude, Mr. Eliot). Then, the Dissertation, in its Final Completed Draft, will go to The Committee before my Defense at the end of the month. I promise reviews of Gail Simone's Wonder Woman #19 and Jon Favreau's Iron Man once it is all complete.

Until then, Friends, adieu!

Amy Reads the Week (of April 20th, 2008)

Still dissertating, Gentle Reader, so neither reading nor writing anything for pleasure. Mr. Reads, however, is thrilled over the Toy News leaking out of New York's Comic-Con, and I will insist on buying the Wonder Woman and the Artemis figures when they come out. Mr. Reads will, I believe, Buy Them All, so send Kind Thoughts to the Reads Checking Account!

Also, lovely to hear about the General Fantasticness of some of my favorite writers, like Mr. Geoff Johns and Ms. Gail Simone, courtesy of this delightful blogger, found courtesy of the delightful women at When Fangirls Attack!

Gentle Reader, I long to go to a Comic Convention and meet all of my Favorite Writers and watch My Darling Husband swoon over the Latest Toys. Why, o why must they all be So Far Away?

While it has been demanded that I write a full review of Wonder Woman #19, I must beg off just a little longer, Friends (Apologies, Robert!). This Humble, Last (!) Chapter is due by the Not-So-Humble Date of As-Soon-As-Possible (but no later than May 1st), so I promise a double review of Wonder Woman #19 and #20 next month, once the dissertating is done.

Until then, might I direct your attention to the happiest blogging news I've had in a year? That is right, Gentle Reader: Loren at One Diverse Comic Book Nation has returned to the blogging world. Please join me in offering up a Huzzah! and welcome Loren back to a blogging community that Missed Him Terribly.

Amy (really doesn't have the time to) Reads the Week (of April 13th, 2008)

Gentle Reader, I've a chapter to revise by Thursday, yes, Thursday, and a few meetings this upcoming week to make it just that much more Difficult. So I must be Rather Silent this week despite the fact that 1) I've read Gail Simone's Wonder Woman #19 and thought it Absolutely Brilliant (who else but Ms. Simone can make me eat crow regarding Tom Tresser in just one month, and make me laugh *and* cry in just one final panel?), 2) I finished Jim Butcher's Small Favor and thought it Absolutely Brilliant (truly, his best Harry Dresden novel yet), and 3) both The Office and 30 Rock have returned to us (Jim! Pam! Jack! Liz Lemon! That's what she said!). Never mind the fact that Mr. Reads and I have a Large Stack of comics to be read this week, nor the fact that my Trinity Wonder Woman is just lovely and is begging for a Post of Her Own.

Never mind the pop culture. Here comes the Dissertation.

Wish me luck, Friends! It seems I'm Suffering under the Suffragettes at the moment, for the second (!) time this year.

A (Very!) Brief Thought on the "Worthiness" of Men

Regarding the Amazon Princess, of course, Gentle Reader. There has been Much Said this week and last regarding the latest issue of Gail Simone's run on Wonder Woman. This Humble Author herself has experienced many thoughts about it, including:
1) General Joy over Ms. Simone's writing
2) Definite Joy over the development of Amazonian rituals
3) Interest in the idea of the Amazon Princess courting a lover
4) Dissatisfaction with Nemesis as a love interest of the Amazon Princess

I have expressed my utter lack of understanding *why* I dislike Nemesis. I really do not know, Friends, and wish I had A Better Answer for you. But I recently commented to Kalinara of Pretty Fizzy Paradise fame on her recent Variations on a Theme column that I am very much a Bat/Amazon 'shipper.

Well, ultimately in my Heart of Hearts, I am a Bat/Cat 'shipper. I adore the pairing of Selina Kyle/Catwoman and Bruce Wayne/Batman because they work well together in both personas. Catwoman is good for Batman, and vice versa, and Selina is good for Bruce, and certainly vice versa.

But the majority of my Bat/Amazon 'shipper-ness results from the fantastic writing on the Justice League (Unlimited) cartoon. I'll admit, Gentle Reader, that the Batman and Wonder Woman sparking on that television show was, in a word This Humble Author blushes to say, sexy (!!!). They sparked, truly, and the writing was, so say we all, fantastic. I think it would be an interesting pairing in the comics, too.

That is, Batman and Wonder Woman/Princess Diana. Not Bruce Wayne and Wonder Woman/Princess Diana.

From all that I have read over the Past Several Years, the most clever writing on Batman has been the establishment that Bruce Wayne is the mask, and The Batman is the reality. Friends, I *adore* this distinction. I *adore* this differentiation between the person (Batman) and the mask (Bruce Wayne). And while Batman has many, many problems, for better or for worse, I adore him. Or, as I said, accompanied by the literary stylings of my Poet-Husband, I adore his batarang, his gobbledygoo.

I think, with all of his problems, Batman and *not* Bruce Wayne would be an interesting romantic companion for the Amazon Princess. Although one cannot come without the other, certainly, it would be an interesting journey, no?

Now of course, Gentle Reader, Gail Simone can make me like Just About Anything; I suspect that even my Most Despised, Most Reviled Reed Richards, in her Very Capable Hands, would become an interesting and enjoyable character for me. (Greg Rucka, too, has my complete trust, as do Grant Morrison, Geoff Johns, and Brian K. Vaughan. For those Gentle Readers perhaps not the Most Constant of Arrogant Self-Reliance, a brief commentary: these names round out my top five Most Favorite *and* Most Trusted Comic Writers.) So while I do not doubt for a moment that I will come to if not enjoy then at least appreciate the character Nemesis, and while I know For A Fact that I will enjoy the *journey* undertaken by these two lovers, I think, too, that despite Previous JLA Failures at relationships, Wonder Woman and Batman *might* be an interesting idea with the right writers.

Love and Hate (From Outer SPACE!!!!): Reviews in Brief, or, Amy Reads Takes a Spring Break

It’s true, Gentle Reader: this past week has been, how shall I say?, wonderfully relaxing. Understand that I say this with Full Knowledge that I have gotten Little Writing done on The Dissertation. I have researched, and read, but mostly, I’ve recovered from a ten-day illness and a year-long anxiety. Now that plans are Somewhat Settled for next year, I feel the desire to take some time to myself. Winter Break afforded none of that, and I have worked, steadily, consistently, and ruthlessly, since August. Even farther and even faster, six years now, since deciding to take the Ph.D. Taking a few days off has been lovely, truly, and with that loveliness comes the chance to, yes, even for This Humble Author, get Caught Up On Comics.

Constant Readers of This Humble Blog know, and know well, that I often find myself getting “Caught Up On Comics.” That is to say, between work and work and work (oh my!), over this past year in particular, I find myself with little time for non-television enjoyment. As it is My Job to Read Books for a living, sometimes, just sometimes, Gentle Reader!, I find myself unable to do so “for fun.”

But Spring Break offered a magical mystical time to get caught up on Very Old Series, like Grant Morrison’s run on New X-Men, to stay current on Old Series With Shiny New Writers, like Gail Simone’s run on Wonder Woman, and to read several months’ backlog of Grant Morrison’s tremendous run on Batman.

For this, I offer Reviews In Brief, with the understanding that there are still several titles that as of yet remain unread. Yes, give me your New Avengers, your Daredevils, your Teen Titans yearning to Breathe Free (gratitude, Ms. Lazarus). Or, at least, to escape the Tyranny of Bag-and-Board, courtesy of Mr. Reads's longboxes.

Wonder Woman #17 and #18 by Gail Simone
I’ve already reviewed Ms. Simone’s most recent issues of Wonder Woman elsewhere on this blog, and we are all Well Aware that I adore her run on the Princess Diana, madly and completely. But what stands out most is the whimsy brought forward for this heretofore decidedly not-so-whimsical character. Diana’s questioning of her appearance after seeing a Khund statue that had to be prettied up, Tom Tresser’s dawning revelation that the Amazons of Themyscira are not asexual beings, and This Humble Author’s Humble Favorite, Lt. Etta Candy’s “Woo #@#! Woo,” all offer a Fantastic Glimpse into the considerable talents Ms. Simone takes to the Amazonian Princess.

Serenity #1 by Joss Whedon and Brett Matthews
This is a mini I was Very Much looking forward to, but must admit that I wasn’t overwhelmed. Certainly, I enjoyed it, as I always enjoy stories of the Firefly Crew, but it was not the best comic I read the past few weeks. Most telling is Inara’s fantasy, and I am most looking forward to the continuation of this tale, but I do not finding the writing as strong as it is on other Whedon scripts, like Buffy or Astonishing X-Men or Runaways.

Angel #4 by Joss Whedon and Brian Lynch
This issue of Angel is proving to be a continuation of some Very Strong Issues, and an overall Very Strong Storyline. I am adoring this comic, with its dark, muddy art, its references, and its constant twists, turns, confusions, and dragons. Bonus: Spike.

Wonder Girl #6 by J. Torres
I added this title to the Reads Pull List mainly out of solidarity for All Things Wonder, All The Time. Granted, if it had been my most-deplored Donna Troy, I would not have bothered. While Wonder Girl was charming and fun, I did not find it, ultimately, astonishing or earth-shattering or, dare I say? Wonderful.

Buffy the Vampire Slayer #12 by Drew Goddard
Next to Simone’s Wonder Woman, this is my favorite title in constant print at the moment. I've already reviewed it In (Extreme!) Brief, Not only because I am an Extraordinary Buffy Fan, but also because it is very well written. The “shock” of this issue, while generating a Great Deal of buzz, was not so “shocking” for Constant Readers of the Whedonverse. Sexuality is a fluid thing, and Buffy is ever an open-minded venue. Bonus: Xander’s Master returns.

All Star Superman #9 by Grant Morrison and Frank Quitely
As I admitted earlier, in Hushed Tones, I am Woefully Behind in my comics reading. I finally (!) read this issue of All-Star Superman, and truly, it is a fantastically written book. I am ever-amazed at the abilities of Mr. Morrison, particularly as I also am enjoying his New X-Men run and his current Batman run. It takes a very engaged and talented writer to make the Aliens (from Outer SPACE!!!) feel more human than the humans, and Mr. Morrison accomplishes that with aplomb, grace, and beauty. Apologies for the Enthusiasm, Friends, but Mr. Reads has watched many, many episodes of MST3K this week while cleaning, and some things stick more than others!

And finally,
Booster Gold #7 by Geoff Johns and Jeff Katz
I must confess, Gentle Reader, that Mr. Reads loves Booster more than I do. That is not to say that This Humble Author doesn’t adore this title; rather, I do not have the Deep Adoration that Mr. Reads has. However, this is pretty much one of the best titles being written at the moment, and even for a Reader like Myself who has, how shall I say?, a spotty fluency in All Comics Continuity, I don’t think there is a more enjoyable combination than Booster Gold and Blue Beetle.

The Best Comics I Am Not Reading
According to Mr. Reads, I am sorely lacking in Green Lantern. I know many of my Sister and Brother Bloggers would agree with this sentiment, but where should I begin? And how should I presume? (gratitude, Mr. Eliot, Mr. Prufrock). Any others, Gentle Reader?

The Best Comics I Can't Wait to Read
Manhunter returns in June, Gentle Reader. To quote Lt. Candy, "Woo Woo!!!"

The Woman Beneath the Wonder: A Brief Review of Wonder Woman #18

It is not often, Gentle Reader, that I both Love and Hate something at the same time. I am, if I may be so bold as to say, a Woman of Strong Emotions. I am in a job that I love, and how could I not? This Humble Author reads books for a living, and writes about them, and discusses them. In my spare time, those ten to fifteen seconds a day I can Call My Own, I aspire to Write Books, albeit Rather Poorly, if the Large Stack of Rejection Letters is Any Proof of my Ability to write a Marketable Novel. But when I love, I love deeply, and when I decidedly do not love, I do that deeply as well.

I expect that Constant Readers of This Humble Blog are shocked, absolutely shocked to see the word Hate in the same Blog Post as Gail Simone’s name. Wait, Friends. Let me explain. We are all Well Aware that This Humble Author thinks Ms. Simone can Do No Wrong. Even in her titles that I am not reading—All New Atom, for example—I never doubt her talent. But Ms. Simone has presented This Humble Author with a conundrum in issue #18 of Wonder Woman: she has given me a scene I love with a character and storyline that I hate.

I do not like Tom Tresser.

At all.

It is solely courtesy of Ms. Simone’s talents that I deign to tolerate him, in that she offers sneaks and peeks into his character that make him consumable by me, even just for a moment. A few issues back, she even made him somewhat charming, a near-impossible feat for This Humble Author. I do not like him, and frankly, I cannot determine why. Part of it is, I think, due to my Absolute Adoration of the Amazon Princess. She is my idol, the Super Hero Young Amy Reads aspired to be. I cannot imagine the Future Queen of Themyscira dating someone so very twenty-first century as Special Agent Tresser.

But.

But, Ms. Simone offers perhaps one of the most beautiful glimpses into Themysciran culture in the first pages of issue #18: a courting ritual, explained to and accepted by Tom Tresser before he even begins to comprehend what the Amazon Princess is offering him. He is offered both Beauty and Pain, Fear and Hope, boiled down into so many nectarine pits and thorns and colorful ribbons. It is the ritual that is important; he is to be courted, Diana tells him, “In the manner of [her] people.”

Tom comprehends the import of Diana’s language a few pages later, and notes, “But all your people are of the female persuasion...!” To which Diana responds, “Aren’t you the observant one?”

The Hate, Gentle Reader, is the, in This Humble Author’s opinion, Unworthy Object of the Amazon Princess’s affections.

The Love, Gentle Reader, is in the quiet dignity of the ritual in this scene.

This quiet dignity is not necessarily a dominant trait of Ms. Simone’s run on Wonder Woman as of yet. Not that Ms. Simone is incapable of writing Wonder Woman, the character, with quiet dignity. Nor is This Humble Author stating that Ms. Simone is incapable of writing quiet dignity. Rather, we see glimpses of this throughout her work. The first issues of both Welcome to Tranquility and Gen-13 offer this rare tone for the author, as do the more intimate moments in Birds of Prey. In This Humble Author's opinion, there is nothing, absolutely nothing Ms. Simone does better than the team-up. She is a master of the team-up, in that she offers a wide range of characters and tones and ideas without ever losing the depth of each individual character. There is the quiet dignity, the snarky irony, the comic relief, the gentle persuasion. But these softer moments come through more in her characters than in her writing. She is a weaver of many personalities and storylines and ideas; to see her, then, weave together all of the same in Wonder Woman, and to Weave Well, is nothing short of awe-inspiring.

Further, to see this moment, to experience such a soft scene from a character who will just a few pages later defeat scores of warriors, to see the Woman beneath the Wonder, is to see the fulfillment of those glimpses here and there: the introduction of the characters in Gen-13 #1, the slow destruction of Maximum Man as evidenced in Welcome to Tranquility #1, Wonder Woman’s love of cake in Wonder Woman #14, all of these small moments have led to this one: the hushed revelation not only of Wonder Woman’s heart, her future, but also of Wonder Woman’s broken heart, her past.

I despise Tom Tresser. Gentle Reader, I find him Completely and Utterly Unworthy of Diana. But the depiction of Diana’s nervousness, her presentation not of other’s ideas of courtship but rather of her own people’s, gives us a Diana we haven’t seen in Some Time. I welcome more of her, and I find myself surprised to say that I do, even if it means the courtship and dating (!!!) of Nemesis.

A Very (Very Very!) Brief Review of Wonder Woman #17

Time is short, Gentle Reader, and I've Much To Do today. There is grading, and reading, and writing, yes, always writing on The Dissertation. But I finally (!!!) read Wonder Woman #17 while I finished my coffee this morning, and just wanted to express my joy over Gail Simone's fantastic first story arc. Perhaps it is best summarized as an early Hollywood action flick trailer, no?

Holiday Girls! Children made of clay! Amazonian vendettas! Weapons from the gods! Birthday cake! All color! All talking! No singing! Some dancing, but more of the fighting kind! Diana proves herself again and again! A story for the ages, as it encompasses all ages of the Amazon Princess!

I promise a longer and more respectable review later, Friends, but for now, just gushing admiration, lots of exclamation marks (!!!), and as always, This Humble Author's Humble Plea to DC Comics to allow Ms. Simone to write Wonder Woman as long as she wants.

The Inheritance of Same-and-Other, Human-and-Amazon: A Brief Review of Wonder Woman #14

I believe that I have admitted, rather shyly and in hushed, confessional tones, that I was a rather chubby, bookish girl-child, and Gentle Reader, that meant I read. A lot. Sports were not my forte, and never did the graceful art of dancing meet with such a travesty of clay feet as This Humble Author's. When in patterns and puzzles, Math and I were Great Friends; I found myself exceptionally fond of Algebra. When in grander, spatial, conceptual terms, like Advanced Math, or Geometry, or, Heaven Forbid, Calculus, I was lost In The Woods, stumbling around without compass, direction, or purpose. I was a Great Appreciator of Art, and still am; the Brother-Reads-in-Law and the Best Friend Reads are artists both, and the Reads Household is peppered with their works. But I cannot put straight line to paper, or color in the lines, or swirl abstract imaginative paint around a canvas. Too spatial, perhaps? Or it is just Beyond Me.

But oh, Gentle Reader, in literature, and history? This Humble Author found her niche. Books were my passion; the Parents Reads would reward my good academic behavior with trips to the local bookstore. I bought and read everything: children's lit, young adult, adult (Stephen King was read way too young, perhaps, but loved all the same), horror, fantasy, sci fi, history, mythology. When the Parents Reads remodeled the Reads Family Home some twenty-odd years ago, Young Amy Reads found herself displaced from her bedroom and lived, for some months, in the front room. I remember playing Mount Olympus, with all of my stuffed animals and Jem and the Hologram dolls and He-Man action figures standing in for Hephaestus, or Zeus, or My Beloved Athena. Was it any Wonder that This Humble Author's much younger self was entranced with the idea of an Amazon Princess, gifted with power from the gods themselves?

Wonder Woman is a character steeped in mythology; there would be no Wonder, no Woman, without the Greek gods. Without Themyscira, there would be no Amazons, no mysterious island of warrior women, alien, separate, Othered. There is tradition, and protocol, and cultural expectations. But further, Wonder Woman is a character steeped in history. She is the result of the first wave of the Suffrage Movement. Our Grandmother (Proto-) Feminists fought long and hard for a Vote, and a Voice, and Wonder Woman is the product of that. She fought for our rights in those satin tights in the seventies, but even before, she fought for Women. She was a Powerhouse among Powerhouses. Now, one of the Big Three, she still to this day is Stronger than Superman. As he has three weaknesses (kryptonite, magic, red suns), she has none. As he is the dichotomy, Man and Superman, she is Princess Diana, The Wonder Woman.

Constant Readers of This Humble Blog know well that I loved Greg Rucka's run on Wonder Woman. He brought the Otherness to the forefront. He showed us the strangeness of an Amazon Out Of Place. Not the strangeness of a Woman Warrior in the World of Men, but rather the strangeness of someone ruled by principle, tradition, and moral absolutes in a world of ambiguity. There is no gray in the world of the Grey-Eyed One's Champion. Even with Athena's eyes, Wonder Woman fights her battles the way she understands him.

Post-Crisis, through Mr. Heinberg's, Mr. Pfeifer's, and Ms. Picoult's runs on Wonder Woman, we saw the fumbling of connections. That is not to say that This or That Writer wrote Better or Worse than the other; rather, the difficulty of trying to connect such varied storylines in such short amounts of time wrought its tragedy upon the continuity of The Amazon Princess. Further, Amazons Attack demonstrated the difficulty of trying to manage multiple levels of storylines through the one figure of Wonder Woman. Neither One Thing or The Other, she was forced to be Both, and More. Diana was forced to be Human and Amazon, Same and Different, Us and Not-Us. But never consistently, and never with any true purpose.

Wonder Woman #14 brings a new writer to the fold, and Ms. Gail Simone takes her many and considerable talents to the Amazon Princess. But further, and most importantly, Ms. Simone brings her Understanding of the Amazon Princess to her run on Wonder Woman. That Understanding depends on the Same-and-Other construction of Princess Diana, certainly, but also it depends on the inheritance, the tradition, the ideas, and yes, even What Has Come Before, whether three or thirty issues ago.

We begin with a scene on Themyscira, Hippolyta running across the earth, sandaled feet flying over grass, eyes squinting against the sun and purpose, and the words, "It was more like birth itself. An act of DESTRUCTION, as well as CREATION." This thing-we-do-not-yet-know understands the Manichean dichotomy. One cannot have Creation without Destruction, just as one cannot have the Same without the Other. One cannot have new Agent Diana Prince without Amazon Princess Diana. One cannot have the New without the Tradition.

And we see New-and-Tradition in the pages that follow, images of Diana fighting Grodd's army, who challenge her to see if they are strong enough to defeat Superman. Diana, a warrior, is honored by the comparison. She knows their purpose, and she knows the dangers that can be wrought by discontent. When in battle she narrates that "their anger makes them mine," she separates herself, so distinctly, from emotion. It was not an angry or emotional Diana that killed Maxwell Lord; rather, it was the gods' Champion. It was the Royal Princess, performing an act herself because she would take the consequences on her own.

She does not defeat Grodd's army, but rather establishes dominance over them, because they are "Creatures of ritual, well used to a social hierarchy," and she is, above all else, a Princess. It is not that Diana is willing to use her royal status; it is that she is her royal status. It's why she "prefer[s] never to use Batman's methods." His way is violent simplicity; hers is ritualistic complication.

But what Ms. Simone brings to Wonder Woman is something precious that has been missing from its pages for Quite Some Time, even in Mr. Rucka's run. While I believe Mr. Rucka to be A Talented Writer, he is not, however, a humorous one. Gail Simone brings a much-needed sense of wit and fancy to these pages, and not only are all the characters charming and witty, they're likeable, as well. Even Nemesis, to whom This Humble Author never warmed, finally demonstrates why he might be an appropriate love interest for a Superhero who has had so few. Or, as one of Grodd's army states, "They will mate soon, if they haven't already," to which another responds, "Their movement and scent confirm it."

A sense of whimsy, of enjoyment, and this is a Diana that is likeable, too. Despite my love for her, something bred over close to thirty years, Wonder Woman is not the Superhero I would like to be, say, BFF with. Selina Kyle is someone with whom you could go dancing, and Black Canary someone to call when in trouble. But Wonder Woman, even in her Holiday Girls days, seemed a bit separate from me. Perhaps because she was such a grownup when I was a child, and even when I was an adult, she, the Ambassador, was too Royal and Proper for me. That is not to say I didn't want to be her, because I did. But never once did I imagine that we would be friends.

But this Diana, who is trying to "learn their rituals as more than an uncommitted observer," despite the fact that "it is a strange culture that outlaws the hug," enjoys surprise birthday parties, and cake. This is a Diana who will meet with a character that This Humble Author is thrilled, Absolutely Thrilled, to see grace these pages again. I will not ruin the surprise for you, Gentle Reader, but let me just say that it is worth it, after all, to have waited So Long for this reboot to finally—finally!—start.

Mr. Reads and I discussed once the best villain for Wonder Woman, and we both agreed: this was a Superhero made to Defeat Nazis. And Ms. Simone delivers, gives us not only Nazis but Super-Nazis. This will be a battle for both Diana Prince and Wonder Woman. This will be a villain we can hate, so very cheerfully, individually or as a collective.

There are other delights Here and There, too, and this feels like the beginning of what will prove to be a sensational run for the Amazon Princess. In This Humble Author's Humble Opinion, this is some of the best comic writing we've seen in the DC Universe since One Year Later Began, over One Year Ago. This is what Wonder Woman should be like, and I, for one, am glad that I held on, so very patiently, that I laid down my $3 a month for the past year to prove to DC that Wonder Woman is a title that deserves a dedicated writer once again.

This is a Wonder Woman that is the Inheritance of Themyscira and Our Earth. This is our Sister Suffragette, our Beloved Amazon, our Woman Warrior who is the Hope and Savior of Her People. She is Same-and-Other, Human-and-Amazon, Diana-Prince-and-Princess-Diana. Ms. Simone has taken What Has Come Before and has made it into something Quite Spectacular indeed.

Welcome to the World, Baby Girl (Wonder)!: A Reflection on Recent and Forthcoming Wonder Woman Comics

An expanded “Amy Reads the Week” column for October 21^st, 2007

Mr. Reads and I live in Quite the Small College Town, so that means, Gentle Reader, that there are only three ways home: Major Highway, Minor Road off of Major Road, and Even More Minor Road off of Major Road. I am, by nature, by choice, and occasionally—just occasionally, Gentle Reader!—by compulsion, a Creature of Habit. That is to say, often, I find myself taking the same route home, or to school, or to the store, because it is the most familiar route. It is no surprise, then, that by now, almost two years in the same house, that I know every bump, every pothole, every stop sign on these routes.

But lately, I have found myself traveling down Even More Minor Road because there is a house by which I am particularly intrigued, about halfway home. Not the house, necessarily, but rather, the cascade of green vines and blue flowers spilling over and along the fence of Said House. Perhaps it is my intrinsic love of All Things Colorful In Nature that makes me take this route home again and again. I find Bright Color in Nature absolutely fascinating, and not a little bit awe-inspiring. Despite my Rather Somber Attire—This Humble Author finds her wardrobe comprised mostly of various hues of blacks and grays—I do have an uncanny attraction to the Bright and Colorful. Splashed in with my blacks and grays are bright reds (my favorite color), ice blues, and brilliant purples. My decorating tastes are even more Victorian-eclectic: sleek modern obsessions with old cherry woods mixed in, a kitchen filled with bright red plates and accessories, a living room done in muted shades of sage and bright accents of maroon and purple and gold.

Or perhaps—just perhaps, Gentle Reader!—I take this route home because it is a Stolen Moment. There is something Rather Magical about these flowers. Late October in The South is a beautiful time. Leaves do change; flowers still bloom; peppers do ripen. These flowers represent possibility, and despite the fact that I Know Better, these flowers feel, to This Humble Author, at least, as if they are blooming just to make me smile.

A rather long Prologue to introduce the following three things:

1) I have had more than a few Stolen Moments this week, and that enabled me to read current comics.

2) Preparing for next semester has caused me to read old graphic novels.

3) The next Wonder Woman will be written by Ms. Gail Simone Herself.

Strangely, these are all connected.

As Constant Readers of Arrogant Self-Reliance know, such Stolen Moments have as of late been few and far between for This Humble Author. That is to say, between the Personal and the Professional, my life has been—how shall I put it?—Rather Overwhelming. Mr. Reads and I have managed to stay on top of our television watching, but just barely (I only need point to the two episodes of Torchwood, and recent episodes of Journeyman and Pushing Daisies that remain unwatched on our DVR to prove this point). I have managed to stay abreast of Comic News by reading My Brother and Sister Bloggers, but just barely. I have managed to keep my head above water in All Things, but just barely. Add in an upcoming visit from Parents Reads and everything has turned Rather Murky, at that.

But I have Stolen a few precious Moments, and in those moments, I have read Those Comics most important to me, with Wonder Woman at the top of the list. Wonder Woman #13 and The Annual both ask the same question as a natural setup for Ms. Simone’s impending run: Who Is Wonder Woman?

Gentle Reader, why must we ask this question? Is it because due to Passing from One Writer to the Next, Wonder Woman the Comic changed, so irrevocably and completely, in the One Year Later Crisis? Or did killing Maxwell Lord force the moment to its crisis (gratitude, Mr. Prufrock)? The Amazon Princess herself answers one version of this question in The Annual when she reminds Circe of her origins: “But I’m not even a real person,” Diana tells her. “I’m a Golem. A clay statue brought to life” (The Annual).

How strange that it is Circe who reminds Diana that loneliness and isolation, these feelings of insecurity, of fear after seeing the Eternal Footman hold our coat and snicker (again, gratitude, Mr. Prufrock) are the defining characteristics and great equalizers of Humanity. And even stranger, a second support by an equally surprising source: The Batman. Circe and Batman, two characters rooted deep in humanity, but never apparent until the situation explodes.

Loneliness is a defining characteristic of humanity, Circe tells Diana, and then points to the arrival of other superheroes to demonstrate how far from “alone” The Amazon Princess really is. Loneliness is a defining characteristic of humanity, as is love. Who better to remind Diana of the love she has from friend (and foe) alike than The Batman? Forged in love, existing in loneliness, desperately forming family after family after family, but loving and loved alike, The Batman speaks to the idea of identity formation, of the need for family and friends. He and Diana understand each other. More importantly, he understands Diana, because they are so very much alike.

It is this approval, this support, this identity-building from The Batman that seems the essential part of this chapter in Wonder Woman’s life. Batman, who turned from her so completely after the murder of Maxwell Lord. Batman, who helped her form her secret identity—who helped Diana Prince come to life—now helps her understand it. Batman, in forgiving Diana, forgives himself.

In the end, The Annual is the classic story: “[…] the servant of the gods sent to teach mankind” has “learned to be human, instead” (The Annual). Wonder Woman is the Outsider, the Other, who both teaches and learns. And in the lessons she learns lie the import of her role here on Earth.

I am Rather Ashamed to admit the following, Gentle Reader, but I have never read The Watchmen. Tragic, I know, and Quite Worthy of the Revoking of my Comic Fan Card. But my Reading Relationship with Mr. Moore is Rather Complex, at best, and Rather Shaky, at worst, for reasons Rather Inarticulate, in all fairness. But like in Wonder Woman, in Rorschach we see the Outsider’s ability to read the Inside; or, we see how the Other is a reflection of Society.

I’ve not gotten that far into The Watchmen yet, so I’m not sure that my Comparison of Rorschach and Wonder Woman (and thus of Batman, too) as The Outsider as Reflection works completely, but this idea of the Other, the Outsider, is one that appears in comics again and again, and one I’ve discussed on this blog again and again. Wonder Woman, Othered in so many senses as a Woman, a Woman made of Clay, an Amazon, a Strong Woman, a Physically Strong Woman sent to Man’s World could work as a Symbol of Women’s Struggles on just one of those levels. When written well, she functions as a Symbol on all.

It seems no Wonder (!!!), then, that Wonder Woman has been taken as a symbol of the second- and third-wave feminist movements. She means so much to My Big Sister Feminists’ Generation as a representation of Women’s Equality. To My Generation, slightly younger, perhaps more wide-eyed when reminiscing on the Woman Wonder, she is a steady symbol, a rock in the sometimes precarious field of equal representation in pop culture. She’s the symbol feminists had, and got to wear, too. That is to say, Wonder Woman was the Hero of Girl Reads. She is the Icon I treasure as Woman Reads.

Because of this, I never felt the need to ask, “Who Is Wonder Woman?” because I already knew. She was us all. She is me, this Girl-Child turned Woman, this once-wearer of secret identity under banal school uniform. Wonder Woman is, above all else, the potential for greatness. She is a Wonder, a Wonder Woman, and despite the shakiness of the last year, I have laid down my $4 each month to ensure that DC Comics knows that I support her. And now, for our loyalty, November brings Gail Simone to the Wonder Woman table.

Who better to reveal the humanity of the Other than Ms. Simone? Welcome to Tranquility, Gen-13, and Birds of Prey all demonstrate her ability in making the Outsider a symbolic, sympathetic, and above all else, recognizable character. Ms. Simone’s empathetic approach to her characters, and of course, her writing ability, makes her an ideal choice to write on the Amazon Princess. Mr. Rucka brought us Wonder Woman’s Otherness; Mr. Heinberg brought us Wonder Woman’s Confusion. Ms. Simone, I believe, will bring us Wonder Woman, Herself.

And I, for one, am thrilled Beyond Belief.

Second-to-last paragraph slightly edited, Gentle Reader, on 10/22/07.