Amy Reads the Year (on August 31st, 2007)

I should tell you, Gentle Reader, that this post was, originally, to speak out against the suggestion that they are “Just Comics.” As in, why do we Speak Out So Articulately against injustice in comics when they are, so They Say, nothing more than comic books? And by “we” I mean, of course, any number of combinations of persons who reasonably object to injustice in our favorite pop culture medium, but for the purposes of my month-long retrospective, I refer, at this juncture, to Women, Specifically.

But in truth, this is a subject near and dear to my heart as I have Sung It Long and Often. In fact, I have sung it So Long and So Often that I fear Constant Readers to This Humble Blog might grow weary of my bellyaching and look to more moderate climes for reading and enjoyment.

That is to say, Friends, that you know How I Feel about the importance of comic books, and popular culture at large, and that to say so, again, would be a tad bit repetitive.

So, then, faced with the dilemma as to what subject best to offer to you, Gentlest of Readers, I was Rather Uncertain. This is a retrospective, is it not? A display of a year’s worth of comic blogging by This Humble Author in order to capture, to the Best of my Abilities, the flavor of the year, comic-book-wise. But retrospectives do not look to the past alone. Rather, they look forward, and offer a view of the future through the comfort and solidity of the past.

What is past is past, no? We have Come Through The Dark and entered, if I may be so bold as to say, The Light. That is, we *know* what is to be done in comics. We *know* what is to be done in our pop cultures.

More women in positive, leading roles. More superheroes of various racial, economic, class, and diverse backgrounds. More positive portrayals of alternative relationships. Remember the Ladies, yes (gratitude, Mrs. Adams), but Remember, too, the Girls. Protect the female characters so that they are not reduced to stereotypes, Refrigerated or Otherwise (gratitude, Ms. Simone) but do not tiptoe around them, either.

I could go on, Gentle Reader, but there are those who have said this before me, and said better than This Humble Author ever could. I point to my sidebar and draw your attention to the brutally honest and wonderful critics there. This year has, more than anything else internet-wise, introduced me to a coterie of well-read, critically thinking, diverse bloggers who are devoted to the betterment of comic books (Gratitude, When Fangirls Attack, Girl-Wonder.Org). And they are devoted *precisely* because They Love Comics.

I, too, Love Comics, and rather than repeat myself once more, rather than offer a response that dulls in comparison to Those Bloggers I Respect, Admire, and above all else, Read On A Daily Basis, I offer you a list of the best things comics have brought to me over the past year. No surprise to you, I’m sure, Gentle Reader, as we are all Well Aware of This Humble Author’s affinity for lists! Without further ado, then?

August 2006-August 2007: The Best of the Comic Book Universe
as viewed by This Humble Author

Welcome to Tranquility – Constant Readers of Arrogant Self-Reliance are Well Aware of the Reads’ adoration for All Things Simone, but Ms. Gail Simone truly has Outdone Herself with this title. Smart, ruthless, funny, poignant, it offers an interesting dichotomy to her other new title this year, Gen-13, but, in my humble opinion outshines its Sister in Every Way.

52 – While I am No Fan of Countdown, I believe it is because I am Overwhelmed by the ingenuity of 52. Bringing forward characters like Booster Gold—and paving the way for his Own Title!—was a stroke of genius on the parts of Mr. Rucka, Mr. Waid, Mr. Johns, and Mr. Morrison. While the title begins slightly before my self-imposed time frame of August 2006-August 2007, it peaks during this time.

Buffy the Vampire Slayer Season #8 – I came to Buffy Rather Late, I’m ashamed to admit, although I remember trying to watch it during the original airing of Season 2. Alas, lack of funds and of television prevented me from doing so, and I caught on to the phenomenon much later. To bring forth new ideas in such an innovative way—and what is more innovative than the marriage of image-and-text?—is not mere fan fodder but *true* innovation.

DC’s Minx Line – There has been some skepticism regarding the Minx line, and while I believe that some of the skepticism is Much Deserved, I also believe that it is, in No Small Part, a Step in the Right Direction. These are fun and smart stories that may function as bridges for younger readers, introducing them to the comic book universe. Personally, I would love to see more diversity of author and artist in this series.

The New New Avengers – I miss Cap, Friends, and I am Quite Angry at both Tony Stark and Reed Richards. But more importantly, I am Intrigued and Fascinated by the New New Avengers, and as one of the few Marvel lines I am reading, this title is encouraging me to explore further options, Marvel-wise.

Manhunter – While not confined to the timeframe to which I’ve confined myself, Manhunter is new to This Humble Author, at least, and I’m Quite Happy for it. Kate Spencer is, without a doubt, one of the most fascinating female comic book characters being written today. DC, don’t lose this title. I Beg Of You. Just Don’t.

The Justice Society of America: One Year Later – Friends, I’ve chastised myself enough for this, but I will do it again, for sake of argument. Why, o Why was I not reading This Title Sooner? The art! The writing! The characterization! Power Girl! Liberty Belle! I am sometimes, indeed, Almost Ridiculous, and in this case, certainly, The Fool (gratitude, Mr. Eliot, Mr. Prufrock). I regret my earlier disavowal, and promise to be consistent with my readings, forthwith.

Thank you, Friends, for a Wonderful Year Of Blogging. Here is to Many More To Come!

The “Girl-Standards”: Thoughts on Those Titles We Womenfolk Might Like; or, how I recently read (and watched) a lot of Hellboy

Have I ever told you how much I adore Dark Horse Comics, Gentle Reader? I know I often point to the Two Houses, both alike in Dignity in Fair New York where we Lay Our Scene, but I feel the need to look at the Alternatives, as well. And, yes, I’ve recently read most of the Hellboy trade paperbacks, and purchased issue #1 of Buffy Season 8, and watched Hellboy: Blood and Iron, so Dark Horse has been on my mind, just a bit. But Dark Horse, overall, provides a nice alternative to The Big Two, particularly in that they seem dedicated to fostering new, creator-owned talent.

Mike Mignola’s Hellboy is nothing short of genius, it’s true, but what I find Very Interesting is that it is often touted as one of the Girl-Friendly Comics About In The World. I find these lists, these “How to Get Your Girlfriend/Girl Best Friend/Wife to Read Comic Books” lists to be A Bit Odd. Mr. Reads often crows over his triumphant role in my re-indoctrination into the world of superhero comics, but it must be said, Friends, that I’ve read comics, off and on, for 20+ years. I had Lost Sight of Superhero comics sometime around the time my Wonder Woman underoos started to get a bit snug, but I had my college-years graphic novel reading to fill in the meantime: Sandman, Ghost World, Squee, The Dreaming, The Crow.

You know.

Girl-Standards.

What is it about the Comic Book Audience that, while sometimes Quite Proud of its predominantly-male community, is seemingly so determined to establish a so-called "Girl-Friendly" Canon? And what is it about titles like Sandman, Fables, Y the Last Man, and yes, Hellboy, that some readers are so convinced will help introduce womenfolk to these books-with-pictures? And, the really big question here, why do some readers/writers/etc. not understand why some women feel excluded from the comic book community, but yet remain committed to sharing their comic book love with their sisters/girlfriends/girl-friends/wives?

I find myself working this backwards, in some way, in that I am the only one of my Girl-friends who reads comic books. In fact, at a recent evening at a Dear Friend’s House, I spent most of the night chatting Captain America’s untimely demise, and Marvel’s Civil War Crisis, with said Dear Friend’s Husband. Said Dear Friend (who is, undeniably, Quite Dear Indeed!) appreciates our, well, appreciation for comics, but doesn’t, personally, like the medium.

Some of my Girl-friends have ventured Graphic Novel Way—Persepolis, Veils, Box Office Poison—but few, if any, have ever read Superhero Titles. No Tights and Flights, no Capes, no Sonic Cries, no Amazons Attacking, or Villains Uniting, or Secret Wars, well, Secreting. Yet my Girl-friends tell me, again and again, that they find the Blogosphere’s Feminist Discussions of Comic Books Intriguing and, it seems, Enticing.

So believe me when I say that I understand this need to share a love, a fandom, a (Mary) Marvel. I know how it feels to want my friends and family to like and enjoy the very things I enjoy, to want to be able to discuss these things that are, in truth, Very Important to me. But when I attempt to entice my Girl-friends over Comic Book Way, I turn to titles like Fallen Angel, or Birds of Prey, or Wonder Woman, and rarely, very rarely, Sandman, or JtHM, or The Crow.

So I began to wonder: why, then, are these titles considered to be Girl-Standards? What is it about Sandman, or Fables, that seems more “female-friendly,” than, say, the Birds of Prey, or Catwoman? Specifically, I began to wonder why a title like Hellboy, almost overwhelmingly male in its choice of characters, and almost always female in its choice of villains, is considered so very “girl-friendly.” I don’t have A Definitive Answer, Friends, but I have some thoughts, Hellboy-specific.

1) Hellboy Tells Stories.
It’s a title almost solely dedicated to the spinning of yarns, the telling of tales. When you read Hellboy, you not only get action, particularly of the beat-em-up shoot-em-up variety, you get a great story, as well. These stories are also heavily influenced by somewhat familiar histories and mythologies, so there is never the feeling that one needs to catch-up if one hasn’t been reading since The Dawn Of Time. Even in The Big Two’s stand-alone titles are references to other heroes, or stories, or crises, and if one hasn’t been reading *this* title since the mid-80s, or *that* title since 1947, one probably will have no idea who X character is, or why he or she should even care.

2) Hellboy Doesn’t Believe In Essentialism.
Hellboy, the character, is a demon. From Hell. But because of love and nurturing and free will and, in no small part, pancakes, he denies what so many assume to be his Natural Self, his Destiny, his Born Purpose to do and be what *he* wants. Women so often suffer under Essentialist Expectations. That is to say, so many in our society, and in societies long past, believe that because a woman has a uterus, or 2 x-chromosomes, or breasts, or 2 eyes and a mouth, then she must be weak/maternal/sneaky/sexy/super-skinny/catty/etc. Hellboy belies that very idea of essentialism—that we Are What We Are and That’s That—and the entire series is based on this very thing.

3) The Evil In Hellboy Is Often Old-School.
So very often in this title, Those That Commit Evil are often Those From An Older Time. Nazis, Old World Vampires or Witches, people, monsters, or things that try to bring the world back to The Way It Was Before (whatever time that was, Gentle Reader!) are The Bad Guys. Hellboy and the Bureau are about promoting change in the world. They look forwards, not backwards, and are not frightened by new ideas but by old ones. In This Humble Author’s Very Humble Opinion, old ideas are often the scariest because old ideas are often the ones rooted in oppression.

4) Hellboy Is About Equal-Opportunity Chivalry And Challenge.
Hellboy, the character, doesn’t try to save women, specifically, nor does he coddle evil just because that particular evil in that particular story happens to be female. Instead, lines are drawn between Good and Evil, not Men and Women.

5) Hellboy Is Just Good. Period.
This is a point I Can’t Stress Enough, Gentle Reader! The Comic Book Industry shouldn’t have to ask for a female audience, nor should it mollycoddle its female audience. It needs to offer great stories, with interesting and complex characters that women can relate to. Yes, sometimes that character is a woman, but sometimes that character is a man.

Or a boy.

A Hell-Boy, even.